Untitled 2006/War Triptych: Silence, Glory, Love





Untitled. 2006
by
Berni Searle


Compiled by Njabulo Ngobese


"How important it is for us to recognize and celebrate our heroes and she-roes!" - Maya Angelou, African American Poet


Born in 1964 in Cape Town, Berni Searle is best known for producing digital video and lens based media installations. Her work references ongoing explorations around issues of self-representation, personal and collective identity. Berni was short listed for the international Artes Mundi award in 2004 and in 2003 she was presented locally with the prestigious Standard Bank Young Artist award. That resulted with a solo exhibition, Float that toured nationally until 2004.


Other solo exhibitions that Berni has participated in include, A Matter of Time at the UC Berkeley (2003), Presence at the Speed Museum, Louisville (2005) and About to Forget at Michael Stevenson Contemporary, Cape Town (2005). Her most recent group exhibitions include, Hang In There, My Dear Geum-Sun, Busan Biennale at the Busan Metropolitan Art Meseum, Seoul (2004); Min(e)dfields at the Kunsthaus Baselland, Basel (2004); the fifth Shanghai Biennale at the Shanghai Art Museum in China (2004) and the 'Always a Little Further' at the 51st Venice Biennale (2005).




Poem:


War Triptych: Silence, Glory, Love
Gabeba Baderoon
I. Accounting
The mother asked to stay.
She looked at her silent child.
I was waiting for you.
The quiet of the girl’s face was a different quiet.
Her hands lay untouched by death.
The washer of bodies cut
away her long, black dress.
Blue prayer beads fell
to the floor in a slow accounting.
The washer of bodies began to sing
a prayer to mothers and daughters.
The mother said,
who will wait for me.
II. Father Receives News His Son Died in the Intifada
When he heard the news, Mr Karim became silent.
He did not look at the cameras,
nor at the people who brought their grief.
He felt a hand slip from his hand,
a small unclasping,
and for that, he refused the solace of glory.
III. Always for the First Time
We tell our stories of war like stories
of love, innocent as eggs.
But we will meet memory again
at the wall around our city,
always for the first time.


Uyabalisa
IsiZulu translation of poem extract: EM Mabuza


Uma ucela ukuhlala
Ubheke ingane yakhe ethulile
Bengilindele wena
Ukuthula ebusweni bentombazane bekunokuthula okwahlukile
Izandla zayo kunokufa okungathintwa
Ogeza imizimba usika ilokwe lakhe elide
Ubuhlalu bokuthandaza obuluhlaza kwesibhakabhaka
Buwele phansi ngokunensa bubalisa
Ogeza imizimba waqala ukucula
Umthandazo wabomama kanye namadodakazi
Uma wathi,
Ngubani ozolinda mina.
nguGabeba Baderoon, ekhishwe eqoqweni Iphupho Emzimbeni ozolandela




A Brief Biography on Gabeba Baderoon


Gabeba Baderoon is the author of three collections of poetry, The Dream in the Next Body (Kwela/Snailpress, 2005), The Museum of Ordinary Life (DaimlerChrysler, 2005) and A hundred silences (Kwela/Snailpress, 2006). Her poems appear in the anthologies Worldscapes (Oxford University Press, 2005), Ten Hallam Poets (Mews Press, 2005), Voices from All Over (Oxford University Press, 2006) and Birds in Words (Umuzi/Random House, 2006) and her short fiction is included in Twist (Oshun, 2006).


Gabeba is the recipient of the DaimlerChrysler Award for South African Poetry 2005 and held the Guest Writer Fellowship at the Nordic Africa Institute in 2005. Her debut collection, The Dream in the Next Body was named a Notable Book of 2005 by the Sunday Independent and A hundred silences was selected for Homebru 2006 by Exclusive Books. Both the The Dream in the Next Body and A hundred silences were Sunday Times Recommended Books.Gabeba has been a featured poet in the 16 Days of Activism readings, and at Poetry Africa, Weltklang in Berlin, the Stockholm Poetry Festival, Poetry International in Rotterdam and London and the Bristol Poetry Festival.

The Miseducation of Womanhood



by Njabulo Ngobese


10 years ago on this very month, South Africa played host to the World Conference against Racism, Racial Discrimination, Xenophobia and Related Intolerance. Music being an influential medium amongst many, Grammy award winning and globally renowned musician Lauryn Hill was scheduled to grace the South African shores with a 3 city tour that was aimed at spreading awareness about the conference and its importance in society. Although Lauryn Hill eventually cancelled the tour, to many it was a great sign of change to come in acknowledging a female artist of colour to endorse an event of this nature.



Listed in Rolling Stones' magazine top 500 list of the greatest albums of all time, The Miseducation of Lauryn Hill is a critically acclaimed stand alone classic that explores the struggles of women that deal with the daily pressures of living up to the expectations of society. Following the success of her former group's album The Score by The Fugees, Lauryn Hill excelled beyond the pressures and expectations she faced to succeed with her debut solo project. The numbers spoke for themselves as the The Miseducation of Lauryn Hill debuted at 1 in the Billboard 200 chart with over 400 000 record sales during its first week.


Little has been said about the monumental value the album holds for female figures in past, present and future generations. The well thought out masterpiece is a living testament of the daily struggles women deal with. Whether it be social, gender or human injustice, the album acknowledges and celebrates the spirit of womanhood. The likes of Durban based songstress and rapper Skye Wanda, can bear attribute to the influence the work of Lauryn Hill has had in her life since the inception of her career as an artists. Also a victim of gender in-equality in an industry that was at some stage male saturated, Skye Wanda is symbolic to a female artist that has lived through the guidance of Lauryn Hill's words to establish herself as a well respected and independent entity in the Durban music scene.


A song that was close to heart for many was the heart felt tribute to her first born Zion David. The song speaks of a woman who is encouraged by the outside world to give up her child for stardom and music success. In the end however, Lauryn Hill kept her child and still reigned supreme with the success of her debute album.


Deeply internalised through song, The Miseducation of Lauryn Hill continues to serve its purpose in uplifting women all over the world with its timeless jewels of wisdom.

Where Are The Cows? (Ziphi Iinkomo)/Looking Up





Where Are The Cows? (Ziphi Iinkomo)
by
Beverley Samler




















Compiled by Njabulo Ngobese


We continue to salute and pay homage to the women in arts who have used their skills to be actively involved in the fight for basic human rights.


Beverly Samler was born in Zambia and lived most of her life in Zimbabwe. In 1980 she came down to South Africa and settled in the Eastern Cape. After a long break she found herself painting again and ended up at the Buffalo City Public FET College's printmaking studio where she studied for four years under Rose Warren.


Beverly's passion for printmaking is balanced with other media, such as photography and painting. With two solo exhibitions held in the Eastern Cape, she has also exhibited in numerous group showings locally and in Zimbabwe. In 2003, Beverly participated in the third international Printmaking Conference in Cape Town, where she was involved in the production of a community based project and exhibition, Salted Lines. Other printmaking conferences and exhibitions Beverly attended include the Germany and Poland conference held in 2005 where she initiated and co-facilitated an exhibition Proud Survivors. And she also exhibited at the National Arts Festival in Grahamstown.


Beverly is a board member for the Ann Bryant Art Gallery. She is motivated to use art to improve and educate her community.


Poem:


Looking up
Finuala Dowling
The moment before you died
You looked up,
The way all children look up: hopefully.
You were expecting us to come
But we didn’t come.
You see --
The economy has been growing at 3.2% per year
Many of our shopping malls have parking for over 1000 cars
Things have been looking up
We’ve had a lot of new stuff to look after
Of course, when we read how you’d died,
You had three hundred thousand mothers;
You had four hundred thousand fathers.
Yet it’s true that the moment before you died,
You looked up, and no one came.




Impucuko
IsiXhosa translation: Tessa Dowling and Nosipho Tshabane
Umzuzwana phambi kokuba usweleke
Wajonga phezulu
Ngendlela bonke abantwana abajonga ngayo: ngethemba.
Ubulindele okokuba sifike
Kodwa zange sifike.
Uyabona ke --
Uqoqosho lunyuke kakuhle ngonyaka
iivenkile zethu ezinkulu zineendawo zokupaka iimoto ezingaphezu kwewaka
Izinto ziye zaphucuka
Besinezinto ezininzi ezintsha esinokujonga kuzo
Kaloku, sakuba sifunde indlela obusweleke ngayo
Ubunentlaninge yoomama;
Ubunentlaninge yootata.
Nangona, uthe ngomzuzwana phambi kokuba usweleke
Wajonga phezulu,
Kodwa akwabikho
namnye ufikayo




A Brief Biography of Finuala Dowling


Finuala Dowling is a former Unisa lecturer now working as a freelance writer. She has published two volumes of poetry, I Flying (awarded the Ingrid Jonker Prize) and Doo-Wop Girls of the Universe. She is also the author of a novel, What Poets Need, several short stories published in local and international anthologies, and an award-winning comedy, Bungee Writing Finals. She lives with her extended family in Kalk Bay, Cape Town.